This style of play is closely related to how regular Solitaire is played, except with regular Solitaire, you place the cards in descending order switching alternating red and black suits. If all the cards have been drawn and there are no more moves left, the game is over and you lose =( After the eight foundation piles are filled, you win. Throughout the game, if a column or pile is empty, you can move new cards to that pile, which can then be sequenced.Īs you complete all of the necessary moves, begin to construct rows of cards in descending order from King to Ace of the same suit, moving them to the Foundation once fully completed. Once this is done, you need to move the Queen and the Jack to unblock and access the 9. In the below example, even though the Queen needs to be moved, you can still put a Jack on top of the Queen. Even if a card is blocked, you can still continue to sequence below the blocked card.All three of these cards cannot be moved together because they are not in sequence. The 10 and the Jack can only be moved once the Ace is moved. In the below example, you’ll see there is an Ace on top of the 10. When cards are drawn from the stockpile, you may have sequences that are no longer ordered.You’ll draw from the stockpile five times over the course of the game, drawing 50 cards. If you can not sequence any more cards on tableau, draw out 10 more cards, face up, to each of the 10 piles, in order to keep the game moving.This will reveal a new card, which can then be sequenced. If only face down cards remain in a pile as face up cards are moved, turn the last face down card over.You can move a bunch of cards in a row as a single unit to another pile if they are all in descending order of the same suit.Build a sequence of cards in the piles by moving any face up card on top of a card with the next-highest value, such as a 9 of spades moving onto a 10 of spades. You’ll draw from the stockpile when there are no more moves to make in the tableau. Leave the rest of the cards (a total of 50), face down, as the stockpile.Place the correct amount of cards in each pile (6 each on the first four piles, 5 on the last six, with the last card on each piled turned face up).Begin by laying out your 10 piles in a horizontal line, as mentioned.When each foundation is completed, with cards of suit stacked from King to Ace, and there are no more cards left, the game is won. For every completed sequence, you move those cards out of the tableau and game into one of the eight foundations. Your goal is to arrange or sequence the cards in the columns along the tableau in descending order from King to Ace. For the sake of clarity, we’ll first discuss the standard beginner version of one suit. These will increase and decrease with difficulty depending on the type (1 Suit, 2 Suit, and 4 Suit). When it comes to Spider Solitaire, there are different variations that can be enjoyed. Leave enough room for eight more piles above or below the Tableau, and this will be known as the “Foundation”, which is where you will be moving your piles of cards after you have completed the King through Ace descension.Īs shown by the image, the layout of the cards is not too difficult to grasp and is very similar to the original Solitaire game. The line of 10 piles is known as the Tableau. The 11th card would go to the first pile, and you continue the process until all 54 cards are dealt.Īfter the face up cards are drawn, the rest of the cards are left as the Stockpile and will be used to draw cards into the game. The cards are placed one at a time in each pile, i.e., the first card dealt goes to the first pile, the second card to the second pile etc. The last card in each pile is placed face up. Following this, the cards are laid out in 10 piles or columns along a horizontal line, with 6 cards in each of the first four piles, and 5 cards in each of the last six piles. In all versions of the game (1 Suit, 2 Suit, and 4 Suit) the game is played with two decks with no jokers, or 104 cards, shuffled before every game. Spider Solitaire is a game you can learn relatively quickly, especially if you are already familiar with Solitaire. Use hints to help you find your next move and progress in the gameįrequently Asked Questions (FAQ) How do you play Spider Solitaire?.It’s mobile friendly too, so you can play anywhere. No download or email registration required, meaning you can start playing now! Our spider solitaire game is one of the fastest loading versions on the internet. Start playing unlimited games of Spider Solitaire for free.
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In addition to its pop success, "DJ Got Us Fallin' In Love" reached the top 20 on the dance chart and at adult pop radio while cracking the top 10 on the Latin songs chart. "DJ Got Us Fallin' In Love" was released as the first single from the EP Versus which was considered an extension of the album Raymond v. His dance routines received strong praise and earned comparisons to Michael Jackson. Take, for example, this little number from Usher entitled, Yeah. Usher performed "DJ Got Us Fallin' In Love" along with "OMG" at the 2010 MTV Video Music Awards. Im a huge devotee of R&B/hip hop music videos because they touch me in a real-life kinda way. It sold over three million digital copies and became a top 10 pop hit around the world including in the UK. "DJ Got Us Falling In Love" became Usher's 16th top 10 pop hit. I said shawty she was checkin' up on me, From the game she was spittin' my ear you'd think that she knew me. Rapper Pitbull is featured on the record. Peace up, A-Town down Yeah, ok Lil' Jon Yeah, yeah yeah, yeah yeah, yeah Yeah, yeah yeah, yeah yeah, yeah I'm in the club with my homies, tryna get a lil' v-I, Keep it down on the low key, cause you know how it feels. The song was originally offered to Rihanna, but she turned it down. Songwriting and production are handled by pop mastermind Max Martin and his team. "DJ Got Us Fallin' In Love" found Usher venturing strongly into Eurodance territory. It earned two nominations at the MTV Video Music Awards for Best Male Video and Best R&B Video. Chilli of TLC plays Usher's girlfriend in the clip. The music video for "U Got It Bad" was directed by Little X. Shortly after, they began talking on the phone prompting Jermaine Dupri to say, "You got it completely too bad right now." While he was attempting to work with Usher in the studio, Usher was continually distracted by a girl he brought with him. It reached #5 on the UK pop singles chart.Īccording to co-writer and co-producer Jermaine Dupri, the lyrics of "U Got It Bad" were based on a true story. "U Got It Bad" spent six weeks at #1 on the Billboard Hot 100. Reportedly, the song "I Don't Know" produced by the Neptunes was in line to be the second single from 8701, and Usher himself decided to release "U Got It Bad" claiming it demonstrated his unique sound better. It is a slow R&B jam and features some of Usher's most exposed and beautiful vocals. The easy, fast & fun way to learn how to sing: 30DaySinger."U Got It Bad" was the second single and second #1 hit from Usher's album 8701. The song peaked in the top-ten in several Year-end charts. It was certified platinum in several countries, including Australia, Belgium, Canada, Germany and Norway, and received a two times platinum certification in New Zealand. The song received a similar response in other countries, topping in other twelve charts worldwide. From the game she was spitting in my ear. Keep it down on the low key (low key) You should know how it feels (hey hey) I seen shorty she was checking up on me. Verse - Usher (w/ Lil Jon in background) Up in the club wit my homies, trying to get a lil V-I. It was certified platinum by the Recording Industry Association of America (RIAA). Yeah (yeah) yeah (yeah) yeah (yeah) - yeah. "Yeah!" was the longest-running number one single in 2004, subsequently topping the year-end chart on the Hot 100. "Yeah!" topped the US Billboard Hot 100 chart for 12 consecutive weeks, before being dethroned by Usher's follow-up single "Burn". The song was released as the lead single from Usher's fourth studio album Confessions (2004) on January 27, 2004, after Usher was told by Arista Records, his label at the time, to record more tracks for the album. Struggling with Yeah Become a better singer in 30 days with these videos Peace up, A-Town down Yeah, ok, lil' Jon Yeah, yeah yeah, yeah yeah, yeah Yeah, yeah yeah, yeah yeah, yeah I'm in the club with my homies, try'na get a lil' v-I Keep it down on the low key, 'cause you know how it feels I said shawty she was checkin' up on me From the game she was spittin' my ear you'd think that she. It also features guest vocals from Lil Jon and Ludacris, with the former also producing the song as well as incorporating crunk and R&B-which he coined as crunk&B-in the song's production. Que Smith, Robert McDowell, LRoc, Ludacris, and Lil Jon, who also produced the song. The song is co-written by Sean Garrett, Patrick J. "Yeah!" is a song by American singer Usher. Drones for Residential Solar: Sunrun and DroneDeploy Find a Safer, More Efficient Way to Measure Rooftops.Employees contributed $11,115 in donations to nonprofits, donated 898 canned goods, and collectively volunteered 19 hours. Throughout the year, DroneDeploy hosted employee volunteer events, ran company matches, employee giving challenges, and volunteered together to aid their partners and communities. The company hires employees across the globe with fully flexible work arrangements to guarantee an inclusive workplace, and donated $90,000 in software to Black Girls Drones, a Texas-based nonprofit educating young girls about the drone industry. Researchers are also increasingly turning to drones for enhanced insight, and DroneDeploy is making software accessible to research groups in academia so that they can help answer our most pressing questions and prepare for a sustainable future for our planet.ĭroneDeploy is dedicated to diversity, equity, and inclusion. In 2021, DroneDeploy teamed with academia to create software bundles for education, classroom, and department use. In response to the increasing frequency of natural disasters, emergency response teams are able to utilize DroneDeploy software to quickly scale operations in times of crisis.Ĭanadian-based nonprofit GlobalMedic used DroneDeploy to assess damages caused by the volcano eruption in Saint Vincent last April, and nonprofit ADF Haiti employed drone mapping for damage assessment following the recent earthquake in Haiti UNDP Colombia utilized DroneDeploy in its response efforts following Hurricane Irma, with the platform, drones, and 360 cameras enabling early response crews to document damage and share the impacts, assisting in long-term recovery efforts. The team, which previously had to collect samples manually, is now able to regularly capture data using DroneDeploy, monitoring changes throughout the reef and tracking them over time.ĭrones have also proved useful as a tool for community empowerment and sustainable change, and DroneDeploy has partnered with leading nonprofits and community organizations, aiding them in mapping undocumented populations and planning infrastructure. One of these organizations, The Australian Institute of Marine Sciences (AIMS), incorporated a drone program into their standard operating procedures, monitoring the Great Barrier Reef by surveying lagoons and the reefs themselves. has partnered with numerous organizations to help combat climate change through the use of drone technology. Our work is to enable these leaders.“ĭrone data has played a key role in helping scientists, local governments, and top institutions monitor the world around us. Ultimately, it’s individuals, relationships, and communities that will make impactful, lasting change in our world. “Over the past year we have expanded and deepened our impact through meaningful and reciprocal partnerships in the robotics industry, charitable community, and beyond,” said Rebecca Lehman, DroneDeploy’s Social Impact Program Manager. They range from northern Florida to eastern Texas north to Wisconsin and New Hampshire but are absent from Michigan. Timber Rattlesnakes are found primarily in temperate forests throughout the eastern United States. Horridus could mean “horrible,” however another Latin meaning of the word is “bristly” which could refer the snake’s extremely rough texture. The genus, Crotalus, literally means “hollow in the rocks” after the denning habitat used by this species. The species was described by Linnaeus in 1758 and currently no subspecies are recognized. This page discusses the identification, life history and conservation concerns of the upland and northern form of the Timber Rattlesnake, not the Canebrake. At the moment no subspecies are recognized, but such a designation would allow for a legal framework to effectively protect the more rare upland snakes separately from Canebrakes where both forms occur. Canebrakes are fairly common throughout their range and, while technically the same species, Canebrakes have gone back and forth between being a valid subspecies. It utilizes different foraging habitats, can overwinter in a greater variety of places, can look strikingly different and behaves differently. Note: A variety of the Timber Rattlesnake, called the Canebrake, occurs in lower elevation Coastal Plains and is, on average, slightly larger than the upland form that occurs in the Appalachian Mountains and northeastern United States. One of the species that are especially sought after by field herpers are Timber Rattlesnakes. There is a growing community of field herpers who spend their time in the field looking for reptiles and amphibians in the wild, much the same as how bird watchers search for birds in the wild. The rattle, which is held upright when the snakes feel threatened, is a very good way to distinguish the rattlesnakes from certain non-venomous species that can have somewhat similar patterns such as a watersnake or milksnake. Timber Rattlesnakes have very heavily-keeled scales and a divided anal plate with a single row of ventral scales behind the vent. Hatchlings are generally about 28 centimeters in total length (Martin et al 2008). While stories are often told of Timber Rattlesnakes exceeding two meters in length, these stories are exaggerated and it is unlikely that any individuals exceed 1.5 meters. Timber Rattlesnakes are a large and robust snake, with males typically reaching lengths of up to 1.32 meters and females up to 1.09 meters (Martin et al 2008). Neonates have the same pattern as adults but usually have a gray body color for the first year after being born. Sometimes a light brown line along the spine runs the length of the body, though this is a trait more common in the Canebrake. The W-shaped bands are usually outlined in a lighter color that can even be seen on the darkest of individuals. In more northern populations, individuals tend to be darker and are most often yellow or black. The tail itself is usually black, and some individuals are almost entirely that color. The background color varies from yellow to brown to gray and gets darker closer to the tail. However the basic pattern, dark W-shaped bands across the body on a lighter background, is fairly consistent. The physical coloration of the Timber Rattlesnake is quite variable throughout the species’ range. It is itself a collection of small projects all working together, and gives you a cross-platform (Windows, OSX, Linux, Android and iOS) low-level environment allowing you to manage and push additional modules into memory to extend its functionality
Please note the number of students that select you as their Note Taker in a particular course does not impact the amount of money earned. The dollar amount of the monetary thank-you is based on the students year of study undergraduate notetakers will receive 25 per credit hour, graduate. If you are selected to take notes for lecture and discussion you would get paid for all 3 credits. For example, if you only takes notes for the once a week discussion and not the twice a week lecture too, you will get paid for 1 credit instead of 3. If you only take notes for the lecture portion of a course that also has a discussion or you only take notes for the once a week discussion, the number of credits will be prorated accordingly. If you take notes for the entire 15.5 weeks of the semester you will receive $25.75 per credit for undergraduate courses and $36.05 per credit for graduate courses. If you are chosen as a Note Taker the compensation you will receive at the end of the semester is based upon the number of weeks you take notes and number of credits for the class. Instructions on the application process as well as information about uploading sample notes and Guidelines for Note Takers can be found in the Frequently Asked Questions (FAQ) tab in the menu above. You can, however, return to your profile to make changes or to update your information.Ĭlick Course/Notes in the menu above to get started. If you have previously worked for SAS as a notetaker, we will use that to calculate your increased rate for the next term of employment. Once you have completed your profile you do not need to complete it again in subsequent semesters. Enrolled notetakers are paid 11.50 per hour with a 2 increase each term, and non-enrolled notetakers are paid 12 per hour with a 2 increase each term. Students who are interested in applying to become a Note Taker must start the application process by setting up your Profile. If you are an ADS student with a note taking accommodation and are looking for procedures for obtaining a Note Taker, please click on the Course-Notes module. If you notice that the student has missed two consecutive classes, please inform the notetaking administrator in SDS.This page is intended for students applying to become Note Takers and those who are already serving as Note Takers. There can be several reasons why a student has missed class. Notetakers are not hired to supervise, tutor or counsel the student. Please remember that the role of a notetaker is to take legible notes and provide them in a timely manner to the student. What if the student that I'm assigned is not paying attention in class or is taking several breaks during class? The notetaker is responsible to provide the notes from the missed class to the student. Notetakers that have anonymous students assigned should advise SDS, when they are absent, or if class is cancelled. The notetaking administrator will instruct you on where or how to submit your notes. Yes, only if a notetaker has not been assigned and the student is approved for notetaking services. Can I be a notetaker if I am referred by a student in class? Accessibility Resource Center (ARC) uses student volunteers to take notes for eligible ARC students. To provide notetaking services effectively the notetaker should be in the same section as the student. If I'm not in the same section as a student but the same course, can I be a notetaker? Ensure everything is filled out properly, without any typos or absent blocks. The easy-to-use drag&drop user interface makes it easy to include or move fields. Type all required information in the necessary fillable fields. The stipend is $100 regardless of the format for the notes. Comply with our easy steps to have your Ucd Paid Notetaker Form well prepared quickly: Select the template in the library. Will I get additional pay if I type my notes? The $100 stipend paid to notetakers is per course, not per student. Will I get paid more if I take notes for more than one student in the same class? Checks will be mailed to the address provided on the notetakers invoice, or you can request that SDS hold your check in our office for pick-up. Unfortunately, at this time direct deposit is not available. Notetakers are paid $100 per course after the end of the semester. Notetakers are paid as independent contractors. Frequently Asked Questions When do I get paid? In any event, it became a big part of Metal Sonic’s overall design. I imagined it having so much force, that only a super high-tech computer would be able to properly control it. The way a drag racer emits a huge cloud of smoke when it dashes off the starting line-with that picture in my mind, I created this huge booster engine for Metal Sonic’s back. Metal Sonic is a robot, so there were a lot of possibilities, but if it’s pure speed we’re talking about… yes-a jet engine! That has to be it, I thought. I thought it would be a little boring if they just raced against each other with the same exact abilities, so I searched and searched for some kind of alternative movement for Metal Sonic, drawing lots of sketches in the process. This was something I thought about later when I designed Shadow the Hedgehog, too, but seeing as Metal Sonic was a rival character to Sonic, I knew the best way to show that off would be with an in-game scene where Sonic and Metal Sonic directly compete with each other-and I designed Metal Sonic with that scene in mind. Metal naturally fit into our key visual concept for Sonic CD as well, and from the first moment that I imagined his red iris set against the darkness of his black eyes, I knew he would become a character with real, lasting appeal.Īs a result, Metal Sonic continues to appear in the newer Sonic games, and many people in Europe and America enjoy drawing fan art of him, for which I’m very grateful. When I first heard the words “Sonic’s Arch-rival” and “Sonic’s Doppelganger” in the design notes, an image for that character’s design immediately came to me, in almost complete form. As mentioned, Sonic’s 3D sprite in the intro was based on these 3D sculptures crafted by Taku Makino. Sonic CD’s title screen, as seen in the 2011 port. I think it was a success, in the way it clearly felt different from the previous Sonic games. To provide contrast and highlight Sonic himself, we made the emblem behind him look metallic, to provide an overall impression of “CG”. To create that image of Sonic turning to face you, we used a polaroid camera to take pictures of a Sonic figurine, scanned them, and used that as our base to create the animation. At the time, “CG” meant sparkling, sheen metallic surfaces that immediately jumped out at you and yelled, “THIS IS CG!”, and frankly, I thought that aesthetic was the height of cool.Īs Ohshima and I gathered up more and more CG reference materials, our excitement grew, manifesting in that title screen for Sonic CD-our first foray. Of course, the computing power and hardware of that era was pretty paltry compared with today, so we were never going to be able to create something that matched those ambitions, nor was anyone expecting that from us. There was a strategic side to it, too: this game would be for the brand new Mega CD, so we wanted to include new ideas distinct from the previous Sonic games. “whoa…! amazing, so this is a computer?!”-yeah, I was pretty green, and I had stars in my eyes for anything “high tech”. When I joined Sega, it was my first chance to work with a Mac. In terms of the graphics, our biggest theme for Sonic CD was “CG”. Open, she'll do so with eight new Ultra V4 frames in her bag. When Sakarri, along with plenty others, such as Western & Southern Open winner Borna Coric, take the court in New York City for the U.S. The Blade's green and Ultra's blue fit the plan well, but red doesn't shift as cleanly, moving Wilson to the anodized look that moves from darker to lighter red. Not every color shifts as well as others. Wilson went through over 60 different color combinations, running through virtually every possible blue shade, ultimately settling on the one they believe gave the most dramatic "flop" of color, Schaeffer says. Sakkari says that not long ago she was playing in a match and started "just turning the racket to see all the different colors, it was very interesting, it distracted my mind in a good way." I saw the Blade racket from last year and I just felt like it would be cool if the Ultra had something similar and, boom, it happened. "It is good to have a racket that you play well with, but for myself I also want to have a racket that looks nice. "I had an idea because of how the Blade looked, so I thought it was going to be something similar," she says. It was the first thing Sakkari noticed and something she'd been hoping for. The Ultra highlights the popularity of blue with color-shifting from a teal blue to a light purple. To bring the Ultra V4 up to the aesthetic designs of others in the lineup, Wilson offers its second franchise with color-shifting paint. The Wilson Ultra, now in V4, is one of the most popular racket franchises made by the Chicago-based. The Ultra, then, offers easy power for players looking to hit the ball through the court. Obviously, you have the string and tension together to make it a different racket than another player, but I would say the flexibility, the control of the racket are the things I look for."įor Wilson, the Pro Staff is known as the precision-focused classic racket, the Blade a design for aggressive baseliners wanting control and feel and the Clash an all-around combination of power, control, flexibility and stability with feel. "I like the racket to be not very stiff, but not quite flexible," she says, "somewhere in between. Sakkari most appreciates that balance of flexibility and stability. "It is a little bit of a paradox to have all of those in one, but because we were able to engineer that, the playtesting has been off the charts." "If you were to sum it all up, the Ultra V4 is faster through the air, much sleeker, has increased power, increased stability and added comfort," he says. The color-shifting paint on the Wilson Ultra V4 goes from teal blue to light purple. "We wanted to create a very stable racket, so you have more energy return into the ball, but take advantage of the ability to reduce the frequency of the racket." That means, based on measurements, the Ultra V4 plays stiffer and more stable than other power-hungry frames in its class, but with better comfort by reducing vibrations. "In the Ultra, we wanted to use it in a slightly different manner," Schaeffer says. In the Clash and Blade franchises, the Fortyfive technology offers flexibility with stability. Wilson introduced the Chicago-based brand's Fortyfive technology into the Ultra V4, a design that dictates how the racket bends. It is your weapon you want to know what is in your weapon." "It was very interesting and didn't affect anything in my game or my mind," she says. But a chat earlier this year with the Wilson team explaining the racket's differences worked well. Sakkari says sometimes she doesn't want to know too much about the inner workings of a racket, fearing it will get into her head. The channel within the inside of the hoop allows for a longer and larger string bed, giving players easier access to power. The Ultra V4 also increases the sweet spot channel versus the V3. The throat of the Wilson Ultra V4 has thinned down 20% from the previous version for a sleeker. Colin’s distinguished contributions to the arts-as editor of Art & Artists and as editor of indispensable reference volumes published by St. James Press is an imprint of Gale Gale and Design is a trademark used herein under license 10 9 8 7 6 5 4 3 2 1ĬONTENTS EDITOR’S NOTE FROM PREVIOUS EDITIONĮDITOR’S NOTE FROM THE FIRST EDITION This volume is dedicated to Colin Naylor (1944–92), who initiated its publication and was editor until his early death. Fashion-History-20th century-Encyclopedias. Costume design-History-20th century-Encyclopedias. Fashion designers-Biographical-Encyclopedias. Includes bibliographical references and index. Library of Congress Catalog Cataloging-in-Publication Data Contemporary fashion / editor, Taryn Benbow-Pfalzgraf.-2nd ed. Farmington Hills, MI 48331-3535 All rights reserved including the right of reproduction in whole or in part in any form.Ĭover photo: Design by Roberto Capucci, ca. All rights to this publication will be vigorously defended. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information. This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions. James Press accepts no payment for listing and inclusion of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. James Press does not guarantee the accuracy of the data contained herein. While every effort has been made to ensure the reliability of the information presented in this publication, St. Franklin, Manager, Rights & Permissions Shalice Shah-Caldwell, Permissions Associate Oblender, Image Catalogers Lezlie Light, Imaging Coordinator Randy Bassett, Imaging Supervisor Dan Newell, Imaging Specialist Mike Logusz, Graphic Artist Maria L. Yarrow, Manager, Imaging and Multimedia Content Dean Dauphinais, Senior Editor, Imaging and Multimedia Content Leitha Etheridge-Sims, Mary K. James Press Mary Beth Trimper, Manager, Composition and Electronic Prepress Evi Seoud, Assistant Manager, Composition Purchasing and Electronic Prepress Dorothy Maki, Manufacturing Manager Rhonda Williams, Print Buyer Barbara J. Schwartz, Christine Tomassini, Michael J. Ferrara, Melissa Hill, Margaret Mazurkiewicz, Carol A. Taryn Benbow-Pfalzgraf, Editor Kristin Hart, Project Coordinator Erin Bealmear, Joann Cerrito, Jim Craddock, Stephen Cusack, Miranda H. James Guide to Native North American Artists St. JAMES PRESS Contemporary Architects Contemporary Artists Contemporary Designers Contemporary Masterworks Contemporary Photographers Contemporary Women Artists International Dictionary of Architects and Architecture International Dictionary of Art and Artists St. This pretty much breaks the fight.It's still long, but you don't need to worry about losing.OTHER ART TITLES FROM ST. Space her so Caltrop doesn't activate, but you can hit her. Keep Lisette close to Alto in case he needs Healing/Cure and you need To The Sea.įor extra security/braindeadness, take Nonoka with Delay/Sickness/Chase/Critical. Keep Hilda close to Sakuya so she can use Intimidate and heal/Time Compress Sakuya (use all your Elixia on her). Keep Follow Up on those AoE people so you can take out the Angels and get out of the way. Whenever she summons the Angels, take them out with your AoE people like Mordi and Hilda. Have Alto use Hero's Blessing so you can use one of those on someone else. If she goes twice, it's not a big deal if you keep your main attackers equipped with Knight's Guard or whatever that status prevention is. Position your strongest attackers near her (after taking out the angels), and do 1 or 2 attacks for every one of her turns (try to avoid letting her go twice). Make sure you'd able to take out at least 3 of those last Angels before her turn. Take out the closer Angels first, then rush the Angels near her. Caltrans Lane Closures and Delays - View as orange cones on the Cruz511 map.Highway Patrol (CHP) Traffic Incidents - Select Monterey to see list or click on yellow or red triangles with an exclamation point on the Cruz511 map to view details.Need more information? Don’t forget to check out to these local resources. Get breaking traffic news, including road closures and major traffic alerts. Snapshots from these cameras are updated every few minutes on the Cruz511 traffic map. Caltrans operates and maintains a network of 16 traffic cameras at highway locations throughout Santa Cruz County. View live freeway traffic conditions before you start your commute. Traffic Collision on I-680 Northbound south of Stoneridge Dr (Pleasanton). 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Get the latest traffic incident information for the Bay Area. For legal questions please contact a Red Light Camera Ticket Lawyer. Traffic Collision on CA-85 Northbound south of W Evelyn Ave (Mountain View). Traffic incident alerts listed by Type, Route Name, Description, and sorted by Last Updated. Please contact your local city with questions regarding video, accidents, tickets, fines or unpaid violations. Get the latest traffic incident information for the Bay Area. We currently track red light cameras, speed camera, toll road cameras, traffic cameras & automatic license plate reader cameras (ALPR). These cameras are monitoring traffic flow only and do not issue photo enforced tickets. Drivers often mistake traffic cameras which are located on the traffic pole. Red light cameras are located on the side or the corner of the intersection. Traffic cameras do not issue tickets and typically are located on top of the traffic light. Drivers often confuse traffic cameras with red light cameras. Notify the Department of the California Highway Patrol or the police department of the city in. When there are no injuries, move your vehicle out of traffic to the nearest place of safety. Call 911 if necessary-but remember that 911 is for emergencies only. Please contact your local city with questions regarding tickets, fines or unpaid violations. First attend to the medical needs of anyone involved. PhotoEnforced DOES NOT operate, run or manage any of the actual red light camera locations. is an open database of locations and fines that is continually updated by anonymous users. Before your trip, check the 511 interactive map to view current congestion and incidents. (Accuracy) Entries Must Be Complete With Link to News Article or Google Maps The San Francisco Bay Area has 1,420 miles of highways, including about 350 miles of High Occupancy Vehicle (HOV) lanes, 160 miles of Express Lanes, 8 toll bridges and a Freeway Assist service. MTC is the transportation planning, financing and coordinating agency for the nine-county San Francisco Bay Area. (Add / Update) Click + To Add Or Updaed Location. We are a public, governmental agency responsible for planning, financing and coordinating transportation for the nine-county San Francisco Bay Area. (Search & Review) Locations Current Locations On Map Please enable JavaScript to view the comments powered by Disqus. |
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